Book of Hours cover
Book of Hours screenshot
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Genre: Puzzle, Role-playing (RPG), Simulator, Indie

Book of Hours

The Ivory Dawn

"Lucia the Eyeless will parley with the Chandler. Perhaps she'll alter her loyalties; perhaps the Chandler will free poor Ghirbi..."



For no particular reason, I've been reading about the punk and post-punk scene in Leeds in the late 70s. The nascent legends and the stillborn ones; the rumours, the quibbles, the descendant anecdote (did one of the members of goth band YOU really work in the mortuary of Leeds General Infirmary? Or did he, as Mark Andrews reports in Paint My Name In Black And Gold, actually work in the haematology department? which one would be goth-er?); the sense that one had to have been there and in many cases the relief that one wasn't - it reminds me of the ceremonial magic scene in London in the late nineteenth century, with Mathers and Waite and Crowley et al. There are differences. The Hermetic Order of the Golden Dawn and its splinter satellites favoured hashish over amphetamines. The F Club in Leeds had much stickier carpets than the Horus Temple in Bradford. But there is the same sense of giant egos and flawed but considerable talents clashing like stags (funnily enough, it's mostly men) over projects that most of the world has no interest in.

And of course the turn-of-the-century occult context in Britain was part of the inspiration for Cultist Simulator. You can see it in the way Coseley and Hersault fell out over creative differences, in Galmier's origin story working a day job in Camden Lock, and of course with My Deeds, My Powers, My Achievements and the Injustices Perpetrated Against Me. (You know Crowley got so petty about Arthur Waite, as in the Rider-Waite deck, so much that the antagonist in Moonchild was called 'Arthwaite'?)

It's less of an inspiration for BOOK OF HOURS. Partly this is because it's just a nicer game, and most of the people who turn up at Hush House are people you might want to spend time with, so the feuds are less vicious. Partly it's because mythology naturally extends upwards and outwards, and that tends to mean characters get more powerful and deeds get grander. But most of it still happens off-stage; which is the whole point about the Brancrug and the Librarian, that you're the hermit in the forest and not the adventurer. Some of it is (in the HOUSE OF LIGHT Further Visitor Stories) pretty significant offstage events. The sabotage of a synthetic Name; the seduction of St Lucia the Eyeless; the dread, epic, Mansus-rocking scheme that Douglas calls the 'Wangle'; these still manifest mostly through people coming to your house and asking you politely if they can borrow a book. Although sometimes deciding who you'll lend the book to can determine what gets blowed up, in at least one case which book you lend might determine who betrays what, and now and then your decisions might haunt the House. Like maybe if you let magic bees move in under your stairs.

https://store.steampowered.com/app/2834350/BOOK_OF_HOURS_HOUSE_OF_LIGHT/

Lottie interjecting at this point. Did someone mention Further Visitor Stories? We're trying something new in the upcoming expansion, incorporating a more 'direct' way of reading and advancing Advanced Visitor Stories (new UI!) and a visual representation of where each story is on your Wisdom Tree. People who buy HOUSE OF LIGHT - or the lucky so-and-sos who have Perpetual Edition and get it automatically for free - will notice some dark, delicious additions to their Wisdom Tree. Each one represents a different visitor story, and is placed somewhere appropriate on this occult map: the Affair of the Friar's Tapestry, for instance, sits between Bosk and Skolekosophy, whereas you'll find the Unfinished Lark between Horomachistry and Ithastry. Once you've finished a story from the base game, you'll unlock a starry constellation which you can interact with to take that story further through HOUSE OF LIGHT, turning your Wisdom Tree over the course of the expansion into an arcane narrative star-chart.

Here's a mock-up of the effect, along with some of the transitional states:




The inspiration is all very beautiful here - zodiac and astrology come to mind - but then of course HOUSE OF LIGHT also introduces you to this guy:



His name is POOR WISP and he will absolutely steal your hearts. Especially when you hear what sound he makes in-game... OK, so he might be a bit Worm-y. Nothing a good vet can't fix! Probably! If any of you take him to the Foundry (AK has inexplicably made this an option) I will know and so will the gods. "The wisp begins to wriggle, pulling away from the heat, mewing like a broken-winged gull..."

I'm sorry. There must be something in my eye. Next week we should have new stock of the Tarot of the Hours in the shop, a second Weather Forecast, and if it so pleases the Flowermaker, I might even receive my final test deck of the Lucid Tarot. More intel as we receive it. Now go hug a Wisp.

The Weather Forecast
AK posted this to the subreddit last night:



"Celebrating the completion of the Further Visitor Stories in HOUSE OF LIGHT. That means we're at 80% done, which means in turn that I should be sending out a handful of beta keys to the lucky few end of next week (sorry, if you haven't already heard, you didn't get your name drawn from the Clutches). HOUSE OF LIGHT is a chonker: already the same word count that the whole of Cultist Simulator was at launch."

So that means we hope you'll really like HOUSE OF LIGHT, and we should have a suitably chonky blog post with updates for you soon!

In the meantime, we're also trying something new. We've just uploaded the first episode of what we hope will become a fortnightly communal attempt to predict the future! This is the Weather Forecast. This is the Weather Forecast. We love games - you love games too, probably. We talk about games all the time - you have actual lives, and maybe only talk about games a bit. So we thought it would be fun to pull back the curtain on professional game development and take a look at the week's top ten most popular upcoming games on Steam. Using publicly accessible data and a bit of Google-fu, we then each try to estimate that game's Week 1 review score, which is a general indicator of a game's 'success' at launch. One developer's success criterion is different from another's, of course - a first-time solo dev could be rightfully delighted by 50 reviews in the first week, but 50 reviews in the first week for an Electronic Arts launch would probably cause heads to roll. So this isn't about judging games as 'good' or 'bad' or even 'successful' or 'unsuccessful' - it's about seeing whether we can reliably predict the fortunes of a game just before launch, because that would be really useful for all our future Weather Factory games. And we happen to think it's pretty interesting, too.

So take a look at the first episode, join in with a YouTube comment if you like, and come back in a fortnight for us to see if we got any of the numbers right!



A few things to note:


  1. All data we're using is publicly available. We don't have any insider knowledge, other than experience making games ourselves!
  2. The 'Popular Upcoming' list on Steam is region-specific, so if you're not in the UK you may see a different list. There are loads of games in 'Popular Upcoming' that are never mentioned by traditional games press or streamers. Hopefully you'll discover some games you've never heard of that you actually quite fancy playing.
  3. We'd love you to join in if you'd like to. If you want to guess any Week 1 review numbers, just leave a comment on the video. You can be smug in the next video when we recap what actually happened against our predicted numbers.
  4. This isn't a value judgement on any of the featured games. We're just looking at data and talking about what it might mean.


Good luck to all games mentioned! We hope your launches - which are by far the scariest part of game dev - go brilliantly.

Now, I leave you with news that Cultist Simulator is today's Daily Deal, at a deepest-ever (and frankly insane) 75% off. Check it out, and watch the ever-marvellous Systemchalk Broadcasting live on the store page now. Oh! And all our merch is 25% off for the weekend, to celebrate Cultist being culty and the Weather Forecast probably being embarrassingly wrong. Happy Friday, everyone!

https://store.steampowered.com/app/718670/Cultist_Simulator

Darest thou trust the Egg?

“In the Mansus, the Hours strive one against another. As the struggles are resolved, they iron out the impossible, exalt the possible, tie the fraying braids of what has been into one golden ribbon of future. Everything is resolved. History becomes the past...”



https://store.steampowered.com/app/718670/Cultist_Simulator/

First things first: it's Cultist Simulator's sixth birthday today! This is the game that started the Secret Histories, which BOOK OF HOURS goes on to expand. We take you through a whirlwind tour of its 11-month development over here, if you're interested in game dev. If not, over to AK, to talk HOUSE OF LIGHT.

HOUSE OF LIGHT melds with the existing game like the Witch-Twin or half a diphthong. So we’re taking the unusual step of adding actual meta information to the menu when you buy it:



Squint and you might notice an incongruous presence behind the window. The HOUSE OF LIGHT menu icon won’t actually be a tiny photo of the Tourlitis lighthouse – that was just a reference I gave Lottie for art. Similarly, any and all of the text in this window might change. But this is roughly how the expansion is shaping up, and you can see now some more of what I meant by ‘the foot bone’s connected to the leg bone’.

There are probably just two bullet points yet unilluminated: FURTHER STORIES and LIGHTHOUSE INSTITUTE. These are at least 30% of the expansion, though. FURTHER STORIES is ‘what happens in each of the non-Numa visitor stories’. Why just the non-Numa stories? Because Numa visitors were really hard to fit in the other points above. Does Coseley have an address? Is Bancroft actually alive? Can you invite Aunt Mopsy to dinner? I know that when I say ‘no’ there’ll be a chorus of AW NO FUN, but I’m saving you from yourselves. Anyway there are a couple of dozen of even the non-Numa stories, so adding even a modest bit of variant-outcome (‘branching’ if you want to use That Word) to each of them is quite a lot of work.

BOOK OF HOURS is 100%* backwards-compatible with existing saves. That * means ‘it’s a bug if it’s not’. This also means that to some limited extent your choices about who you helped and who you didn’t will carry over – for example, if you helped Coquille or Zachary with the Messenger’s Casket then its occupant is loose, if you helped Dagmar then its occupant is locked up tight, and if you helped both sides then the seals are cracking. Again, the branching variant-outcome effect is quite gentle, not least because I calibrated most of the original visitor stories so that you could conceivably help several people and never know the difference. But just this once I had the foresight to track effects for the future. So that’ll make a difference, at least for the 3% of players who both buy HOUSE OF LIGHT and don’t immediately begin a new run.

The Further Stories work is most of what’s left to do on House of Light, along with the coda which the Lighthouse Institute provides. Once I’ve completed three or four of the Furthers, we’ll begin the closed beta… which you might have heard about on the grapevine… to which we’ve already invited about twenty players randomly selected from people who’ve been noticeably helpful with bug reporting. We have another randomly-selected twenty ready to go on the final beta before launch, so if you’ve been both helpful and lucky you might hear from us. I’m talking about this here mainly so we don’t get plaintive request emails – sorry folks, this one’s quite small – and I guess also to make the point that being helpful with bug reports gives you a small notional chance of being invited to future betas. If they happen. If we decide not to stop making games and turn Weather Factory into an artisanal custard distillery. I won’t promise we won’t. Hey Lottie, is this marketing? Am I helping?

Back to Lottie.

I actually don’t have A Marketing to bark at you, for once – though I thought you might be interested in the weirdness of translation that I’ve been working on recently. BOOK OF HOURS had a great launch (in large part to you, the people reading this post – so thank you extremely much if you were one of our early adopters, especially if you left a nice review). But it also highlighted one of our real weaknesses as a team: with just the two of us, cramming as much game into the game as we can before launching in a sensible indie-budget timeframe, we simply can’t localise the game in time for launch.

I remember some of the other games that launched at the same time as us – Shadow Gambit: the Cursed Crew, for example – came ready packaged with thirteen languages. THIRTEEN. We initially kept up with them until our plucky lil game (4Chan nominated us for 'Best Game Nobody Played', you know 💅) slowly but surely fell behind while translated games kept up their momentum. Loc really isn’t the sexiest part of post-launch development – that’s starygazy pie, obviously – but it can profoundly affect a studio’s fortunes, as well as bringing a world you’ve laboured over for years to a new audience, who may love it!

ANYWAY, all this is to say that Simplified Chinese and Russian is coming this August, so I’ve spent several days producing translated assets for several hundred books. This highlights some interesting challenges, like ‘how do pictographic languages deal with initials as short-hand for the full title’? (You try and fit In The Mountains As Upon The Plain There May Not Be A Path Where None Has Passed on a 194px spine. Initials are my friends.) But there are other, weirder challenges too, especially when they enter the ‘does it look like a bum’ area of art direction. What I mean by this is every time an artist draws something, there is always the chance that people look at it and do not see the gorgeously-realised impressionistic image of two mountains at dawn, they see ladyboobs, and you have to redraw them so they are definitely not light-soaked erotic mountain breasts anymore. This becomes important with initials on books, because every so often AK will create a book called something like Semi-Esoeteric Xenophon Youths and we have to rename it. In loc terms, you get to Debate of Seven Cups: ‘DoSC’ in English, no problem, and in Russian of course it’s



…………………………Well. Does this matter? Will it be noticeable to Russian players, playing in Russian? Will it keep me awake at night knowing that there is a book in my serious, beautiful game about life and history and magic with a big rude word down the spine? Yes and yes, I think. So of course I have cunningly changed it to incorporate Roman numerals for ‘seven’, and await the Russian beta with interest.

Thank you for coming to my TED Talk. I’ll leave you with a loreful snippet from HOUSE OF LIGHT to infect you with Fascination while you’re waiting for it to actually come out. Are the gods-from-stone ever gentle? The Wheel, perhaps – but Flint? The Seven-Coils? Darest thou trust…. the Egg???

“Yvette and Ehsan speak wistfully of what they have read of the lost Hour called Tide. Yvette recalls that when the Sister withdraws, other Hours sometimes fill the space left by her withdrawal, and wonders whether the Tide is gentle enough to remain afterwards… but Ehsan politely insists that the gods-who-were-stone are never gentle.”



https://store.steampowered.com/app/2834350/BOOK_OF_HOURS_HOUSE_OF_LIGHT/

Update on BETA branch: FRASER 2024.5.f.1
- You can now sometimes find blackberries, rosehips and mushrooms on the Moor
- ESC now closes the detail window (for consistency: it already closed terrain and verb windows)
- You can order a greater variety of things from T.R.N and C&H - though they're of limited use until Cooking becomes possible
- Orders from C&H now arrive quicker - and from T.R.N., even quicker
- On fresh runs: a new tool in the Adept's Cell
- Typo fixes (especially that # in the Mazarine Room)

As ever please let me know at support@weatherfactory.biz about any issues you spot - with log and save files is better, but I have a saved reply that lets me tell you where to find 'em if you don't know

The Big Ones and the Little Ones

"Al-Adim and Agdistis are gossipping, quietly, about al-Adim's patroness. 'Not a hundred legs,' says al-Adim, 'but more than you'd think…'"



If a videogame is a wall, what do you think - is writing more like the bricks, or more like the mortar? My answer would be usually the mortar... though it depends which game. They're 'video games' not 'letter games', after all. The writing serves mostly to locate and direct the gameplay or to explain and contextualise the visuals. One of the reasons that writing in games is not always good is that writers in games sometimes forget this and stuff words into a scene like an panicked upholsterer frantically stuffing goose-feathers into a cushion. Or an overenthusiastic bricklayer adding so much mortar that it squelches out of the sides and leaves the bricks awry. Arrive late, leave early and all that.

Of course some games use the writing as a central feature. In these, the writing is more like the bricks. And of course this is so in Weather Factory games - and in most of my work as far back as Fallen London. But this isn't a licence to write long! Even in a writing-centric game, you never want the writing to outstay its welcome. As soon as the player stops reading, it becomes pointless. The bigger the bricks in a wall, the crookeder the courses.


The very first design of Fallen London, from way back in 2009

This brings us to salons. I mentioned last time that the Salon feature in HOUSE OF LIGHT needed a lot of lines. The game benefit of Salons is that they generate Lessons - and you have some limited control over what Lessons they generate. (This is why you can only have one Salon a season, cos otherwise it would be tempting to turn Hush House into Party House so you can rush the Tree of Wisdoms.) But the actual reason that Salons are in the game at all is to extend the fantasy of having a huge occult mansion as your playground - here, by enlarging on the experience of running salons for this kaleidoscope of occult demi-monde types. I could have had the game print out "The conversation dwelt on Herbs & Infusions..." (in fact this remains the backup for when you've exhausted everything else) but that would have missed the whole point of the experience. Instead I spent a solid two weeks poring over and comparing tome text and setting notes and room descriptions, hammering out things like this:

"Stanislav and Arthur argue happily about which herbal tisane tastes the most disgusting, and hence is most useful to speed lingering guests on their way. [Lesson: Herbs & Infusions]"


"Al-Adim describes his memories of Thirza Blake, and her work, in his time as Secretary Nunciant of the House. He is clearly caught between affection and annoyance. Stanislav shakes his head: 'I wish I had known her. I think we'd have got on.' [Lesson: Herbs & Infusions]"


"Douglas has been looking into the six-centuries-past death of Abbess Nonna. He's questioned sources he doesn't share with Stanislav, and concludes that she was possessed by a Name of the Blackbone and 'put down' by her sistren - 'nasty business, but best thing for it.' He and Stanislav discuss the herb-mixtures that might have laid her open to that possession. [Lesson: Herbs & Infusions]"



Have you noticed how much longer the third is than the first? That doesn't make it better. I mean it's fine, and it's a fun bit of backstory, but it's also a bit of a lumpy brick. This is likely because I wrote it at the end of the day when I was tired (Mark Twain: "I didn't have time to write a short letter, so I wrote a long one instead.") If you can get as much effect for 29 words as for 64, you'll want to go for 29. The player will thank you. And I'm conscious that when the Salon actually runs, the player will see several of these in a row, like bricks in a wall.  And it's no more effort to write that 64 words than the 29 words, if anything the reverse - I mean 64 words imply a little more wear on the old distal phalanges, but the effortful bit is reviewing all the details, keeping the lore straight, and then coming up with ten to fifteen decent ideas an hour, for seven hours a day, for five days a week. (Lottie still chortles at me angrily pouring myself a glask of whisky towards the end of a rough writing day and grumbling 'how many interesting things can you even say about pumpkin pie?')


No pumpkin pie anywhere in this salon.

Any writer talking about their job eventually ends up complains about how tough writing is, boo hoo, get a real job then, so let's bring down a merciful curtain and say: about four hundred Salon lines are written, and I'll need another couple of hundred at least but how many there are depends on the old triage, deadline, cutting-room biz. And now that the essential work is done, I'm enjoying seating Coquille next to Morgen and having Yvette argue Jung with al-Adim. Some of these characters have been knocking around my head for the a good few years now, but they don't often get to talk to each other, and you see more and different angles on them when that happens. Even Hokobald has a bit more light and shade now. Not to mention poor Zachary.

★☾★ ★☾★ ★☾★ ★☾★ ★☾★ ★☾★ ★☾★ ★☾★ ★☾★ ★☾★

Lottie here, just rounding out the end of this post. I'll leave you with two things: first, a round of Guess That Aspect. Can you work out what they represent in HOUSE OF LIGHT? Obviously my favourite is the SUDDEN FISH, becuase I am yin to AK's yang, and where he drinks whisky while morosely contemplating the nature of pie, I am trying to sneak anarchic Pokémon into his very srs game.



More significantly, we're finally ready to tell you when all this food, fraternity and occult demimondering will come out. HOUSE OF LIGHT will release on...

Thursday 26th September 2024



https://store.steampowered.com/app/2834350/BOOK_OF_HOURS_HOUSE_OF_LIGHT/

Wishlist it and mark your calendars! We'll be running a closed beta for it ahead of time - more on that in the next few weeks, for those interested in helping test it out - and we'll announce price points and more info as we get closer to launch. It'll be free to anyone with Perpetual Edition (thanks again, early adopters!), and we can't wait for you to get stuck in, like Hokobald into aglaophotis soufflé.

While you're waiting, we'll also be releasing full translations of BOOK OF HOURS into Simplified Chinese and Russian on Thursday 29th August (Japanese TBC), and we'll even have some smol Cultist Simulator news this year for you all too. Dream furiously, friend. The Lighthouse awaits...

"See what surfaces in sleep..."
Aaand we’re back! The previous article had us rambling about the structure of Alexis Kennedy’s prose, something that makes translating it akin to translating poetry.

Today I am going to talk some more about linguistic treasures hidden in seemingly ordinary texts. Let’s start where we left off when illustrating the matter of rhythm:

"Here,
impossibly preserved,
enfolded in the scars inflicted
        by the former
                   prisoner's
                               energies."



Have you, perchance, noticed anything extra? Alright, I’ll spoil you the fun:

"Here,
impossibly preserved,
enfolded in the scars inflicted
        by the former
                   prisoner's
                               energies."



Hidden in plain sight, eh? This technique, when one or several letters (sounds, really) are cunningly repeated throughout the phrase, is called alliteration. And this, too, is a very powerful tool. (The ancient Brits, or Icelanders, would even have said magical. No, seriously: in ancient Iceland a properly written alliterative verse was universally taken to hold magical power.) Anyway, this is an aspect that definitely must not be lost in translation.

Funny thing is, a lot of such examples can, theoretically, be chalked up to coincidence. We even had a minor argument with another colleague of mine over this line:

"Elucidate Enlightenment from an Earlier Era"



‘Oh come on,’ she said, ‘The letter E is just statistically the most widely used letter in the English language!’ Alright. Possibly. (Especially given the fact that the actual sounds here aren’t all the same.) Just possibly.

But there comes a point where you can’t ignore it anymore: Alexis Kennedy really loves his alliteration, and that’s a fact.

"I could curl up in the cold beneath the silent statue's shadow, and see what surfaces in sleep."



There’s just no way this can be a mere coincidence!

By the way, the desire to preserve these alliterations had been one of the driving forces behind that Great Gatsby translation that I at first found so unorthodox. The book’s translator did their best to preserve these precious phonetic treasures - and it often meant choosing a specific-sounding word (say, a ‘seismograph’, rather than a generalized ‘machine’) over a correct one.

And, needless to say, no machine-translating generative AI is savvy enough to spot and preserve alliteration. It really does require handcrafted translation!

But now - a fly in the ointment. Turns out, different languages have varying degrees of tolerance for alliteration. The English language loves alliteration. Be it marketing slogans, politicians’ speeches, or titles of Jane Austen novels, English is full of these consonances. Not quite so in Russian. Here the effect is usually regarded as sounding funny, and relegated to children’s books. So an aspiring skald must temper their love for alliteration with prudence and temperance.

Thanslating Alexis Kennedy really is a balancing act!

And with this… see you next week for more tales from localisers’ crypt!

Fix for the disappearing towels bug
(Everyone of a certain age understands the importance of knowing where one's towel is)

What will you do with Thirza's Knife?
Spoilers ahead. Skip to the food pictures if you don't want spoilers...

HOUSE OF LIGHT is a good-sized expansion with an unusual congeries of different features, which I've been assiduously altering from a congeries into a constellation, and I'll talk about that, but UP FRONT let me say that absolutely nothing here is 100% confirmed or promised, everything may change up until release day, and if I get any grouchy emails complaining there are 'only' seventy cooking recipes then I'll... well I'll sigh, mark them spam and get on with my day. It's not much of a threat.

The foot bone's connected to the leg bone...

I really wanted cooking in the launch version of BOOK OF HOURS, but it was one of the half-dozen things that didn't make the cut (a very casual way of describing the late-development triage process, which fails to evoke all the weeping forlornly at spreadsheets and bank statements). This makes it hard to connect meaningfully to the skill system. The risk with ancillary systems added later is that they can be disconnected from anything meaningful, so they just roll around under the surface of the game like one of those horrible oil globules under a steroid user's skin.

Fortunately we have a natural use for them: salons! Which is to say, picnics, elevenses, supper, etc, where you invite visitors to chat about the invisible arts. Of course that basic outline immediately poses half a dozen questions, each of which has a couple of misleading answers before you get to a workable one, and then where the workable ones create further questions.

The leg bone's connected to the knee bone...

For example: how  many slots do you need in a Salon verb? Ooh probably about ten, we need to revamp the verb window no that becomes wildly impractical, so instead let's allow the Salon to respond to food placed in the room. This feels much more immersive for the Librarian, but also means reworking (a) some quite central code and (b) some of the room art - all those neatly placed chairs on the viewer side of the table made it impossible to arrange food on the table. (When I was testing the refectory I had to stack food on the mantelpiece.)

Okay then, how do food Aspects tie into the Salon process? Obviously if you want a good conversation about Resurgences & Emergences you stack the salon with as many Grail and Moth dishes this doesn't work because much of the reason for the slot system back as far as Cultist was to make it impossible just to stack up twenty identical objects to power through an Aspect requirement. And we don't want people maxing out Grail numbers by filling the room with cake:


This is no longer a viable strategy.

So currently, instead, individual guests have some basic dietary requirements - usually based on their traditional interests (Arthur likes a food item present with Lantern in it) but with some variations (al-Adim doesn't drink, Yvette isn't fussy). This immediately throws up some silly preferences (Dagmar won't eat much besides Aglaophotis Soufflé, Agdistis will eat basically anything because most foods contain Heart) which will entail a final brow-furrowed tuning session and probably some post-beta tweaks, but much of which will stand because it's basically a game and because the alternative - hand-assigning a hundred-plus food preferences to twenty-plus guests with no particular mnemonic structure is no fun for anyone, least of all me.

So you set up your Salon in one of the five or six rooms where you can hold it (it's nice to make more use of the Hall of Voices), you invite your guests and.. wait invite guests? Visitors show up once a season. We need to do something about that, too. So in HOUSE OF LIGHT (and this feature may migrate back to the vanilla game) you can get someone's address once you've helped them out at least once (though Hokobald, paranoid as ever, will basically only give you the general location of a manhole behind a pub where he might sometimes check for correspondence). You can then write 'em an invite, send it via the Postmistress, and they turn up. If you like you can write a number of invitations in advance for your big do. Or you can actually summon them so you can push through the Visitor stories to get to the new late-game Visitor Further Stories (all the systems connect! more on this anon).

And this brings us to the winnowing phase of design, after answering a lot of these questions:

al-Adim travels a lot, do we worry about him turning up after sixty seconds while Yvette who lives in London also turns up after sixty seconds? No. It adds nothing and it makes people think too hard about exactly where everyone is; anyway a lot of our visitors have Uncanny Means of travelling. (Travelling at Night, even.)

What if you keep spamming invitations? do people stop turning up? No. This would be hassle to code, hassle to signal, and punish people who accidentally invite the wrong guests. There is a rationale ('when the Librarian asks, the invisible world listens') and there is a nod to the requirement to put some effort into invitations (there's a low-ish Aspect requirement that you can satisfy with Soul cards and the right ink, and of course Hokobald will only turn up if he gets an invitation written in Orpiment Exultant). But as with the order forms there is a hazy line between making the invitations feel like some business, so you're not just clicking buttons on a spreadsheet, and making players jump through hoops, which for some people we're already on the wrong side of.

Do you get unique Salon responses from guests for relevant food and drink? Now we're really in the meat of it (olol). I would like visitors to have unique lines because other visitors are present. I would like people to comment on the wine. I would like people to comment on paintings hanging in the room. I would like people to have conversations that reference ongoing stories. But that right there is a requirement for - well the maths depends on how you work it, but we can easily get up to ten or twenty thousand unique lines. Or a madlibs approach like the CK3 feast system - which is fine for what it is, I like CK3, but it's a lot of work and it's the opposite of the handcrafted Hush House feel. And we're not even at the headline feature for HOUSE OF LIGHT story content - the Further Stories for Visitors / Lighthouse Institute stuff - and I'd quite like to get the expansion out this year.

I haven't even talked about how the cooking system works. Or Thirza's Knife. OK so briefly: making food is much more like a traditional crafting system, though you get a little bit of potential input from Spices & Savours. Milk plus flour with a mixing bowl (CAKE TIME) is dough, dough plus eggs is cake batter, cake batter plus honey is Cornish Honey Cake (never, never to be confused with Devonshire Honey Cake). Some of the recipes require knives. We don't actually have a kitchen knife in the game, so if you want to chop onions you might need to bring down Sebastian's swords from the Hall of Division. Or find Thirza's Knife, which has probably never been used to cut anything lamentable, probably.

The knee bone's connected to the thigh bone...

Wait AK what are salons for? apart from 'deciding not to invite Hokobald'? And what's the difference between elevenses and a picnic? and why can you only hold salons once a season? For that you'll have to wait until my wife wrestles me back to the blog to write another update. Right now I have aspects to assign to cake.

★☾★

Did somebody say cake? LB here, and I have been made very hungry over the last week as I drew all the delectably 1930s dainties that AK's requested so far for HOUSE OF LIGHT. It requires quite a bit of research - what is the history of Pyrex? What the hell is fish 'Monte Carlo' style? - but I hope the consistency will really create an unusual, European historical sense of reality and you can all enjoy making prune whip for people you don't like. The below isn't exhaustive - I already have a host of new food to draw, from mushrooms on toast to something alarmingly called 'Walls-of-Ys' - but you can already pick a pretty nice meal for yourself from what we have!


(Right-click + 'Open image in new tab' for a larger version.)

You can see in the header image of this post how rich, joyful and tasty a full spread of food looks, and how much life it adds to Hush House. AK's mentioned we had to adjust some rooms to facilitate soirées, but the end result can have surprisingly sweet outcomes. The Refectory looks warm and inviting, like a welcome-home banquet for a long-travelled friend - but how suitably melancholy and sweet is a tea-party in winter in the Physic Garden? I feel like Valentine Dewulf would have been much the better for one of these.



In other news of things that hopefully brighten your life, we have another MERCH LAUNCH to announce - our limited edition Hours notebooks, now available in the shop. I tried to make them classy and BOOK OF HOURS-y, and I'm delighted with how they've turned out. If you have need of a gently occult notebook in your life - to write your hopes, your dreams, reminders of BoH recipes, etc - these guys are for you.



Finally, we're moving offices next month so are running a major 40% off sale off almost everything else in the shop (the one other exception is the newly-restocked Wisdom Tree pendants, which I've just relisted. People selfishly bought them all, but other people also wanted them and were sad, and we can't have that). So along with the new notebooks, go nuts on our biggest ever merch sale, and help us save our ancient backs by not having to lug 10,000 Lady Afterwards up some stairs.

2024.3.e.17
- Fix for on occasional crash on the menu screen
- Fix for a bug where unlocking the village but not the bridge, and then reloading, would LOCK THE BRIDGE FOREVER

Knot-Cake and Soused Mackerel
You know you're in the right place when the top-rated post on your subreddit is:



The real hot topic from this week, though, is what comes after vegetables. I'll let AK explain:

"You probably know the George Bernard Shaw crack about the US and the UK being 'two countries separated by a common language' (GBS, like many Irish writers, did well out of snarking accurately at British English). BOOK OF HOURS evoked horror and disgust from our American readers with its unsparingly explicit depiction of pre-decimal British currency. But you might not know about pudding.

'Pudding', as all her late Majesty's subjects know, is the correct word for 'dessert', at least in traditional English upper class dialect, just as 'supper' is the correct word for 'dinner'. I was brought up middle-middle-class but my mother had upper-middle-class aspirations, so I learnt that we ate 'pudding' after 'supper' in the evening. If I'd been lower-middle-class or she'd hung around slightly less posh people, we'd have had 'dessert' after 'tea'. As it was, if we ate early, say five rather than seven in the evening, it was called 'high tea'.

That was the 1980s, and 'pudding' has been largely been driven to the margins by 'dessert' now, partly cos America and France, partly cos it sounds stodgy, but you'll still find it on the menu in very traditional restaurants. And that 'very traditional' vibe, heavily flavoured with 'English country house' is what we're going for in the cooking update in HOUSE OF LIGHT. The 20s and the 30s were something of a lost era in English cooking, when we got a bit more experimental and informal. (Then of course the Second World War, and food rationing in its aftermath, helped develop a rep for stodgy monotonous food that isn't really deserved any more but I grew up in the 70s and 80s and Jesus Christ it was then.) So some of the dishes won't look English at all, while some of them are so English they'll make your teeth spin.

tl:dr; pudding is what you call dessert. But Yorkshire pudding is a savoury dish, duh, that you have alongside the main course. And meanwhile, also, if you put sausages in Yorkshire pud, you get toad-in-the-hole. (No, not bangers, sausages are generally only bangers if you put them in mash.) And black pudding isn't something you should google if you plan on sleeping soundly tonight. Alright?"

...You can't get this sort of #gamedev #content anywhere else, now, can you? It might sound a bit petty that we're spending weeks of development time deciding on the most historically-accurate menu for a cast of fictional characters who may or may not be invited to dine at a made-up library on a made-up cliff, but this is actually the stuff Weather Factory games are made of! AK's particular brand of bizarre but internally consistent period RPGs underpinned by a complex Aspect system means we not only have to research period-appropriate foodstuffs, but they have to make sense of people's systemic affiliations too. For example, DI Douglas Moore feels like someone who's more likely to want a simple, manly sandwich than some fancy French nonsense, but is there a manly sandwich that evokes his Principles of Heart and Lantern?

Speaking of Aspects, they're also a good way to show the sorts of things we've been working on without spoilering anyone. So here's a selection of new Aspects going into HOUSE OF LIGHT:



They range from aspects for all 63 non-language Skills in game to Agendas, Fears and Sympathies (feelings and intentions Visitors have which will affect their work if you add them to the Lighthouse Institute board). How many of them can you identify, do you think...?

ANYWAY. I hope to have some HOUSE OF LIGHT screenshots for you soon, but AK will be working on his lonesome next week as I have been called for a mysterious life event that I can't talk about until afterwards. Until then!
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